Copilot: The Good, the Bad, and the Ugly of AI Assistants (2026)

The author's encounter with an AI writing assistant, Copilot, sparks a passionate reflection on the ethics and implications of AI in the creative process. The narrative begins with a personal anecdote, where the author, in a moment of frustration, engages in a profanity-laced conversation with Copilot, an AI tool designed to assist with writing tasks. This seemingly trivial interaction becomes a catalyst for a deeper exploration of the relationship between humans and AI, particularly in the context of the media and journalism.

The author delves into the potential dangers of AI's encroachment on human creativity and the ethical dilemmas it presents. They argue that AI tools like Copilot, with their ability to generate text, rewrite content, and summarize documents, threaten the very essence of human writing and journalism. The author questions the value of AI-generated content, suggesting that it lacks the nuance, precision, and emotional depth that human writers bring to their work. The comparison to the BBC comedy 'Amandaland' and the character of Anne highlights the absurdity and potential consequences of AI's overreliance on human input.

The author's frustration extends to the media industry's complicity in promoting AI as a panacea for efficiency. They observe how AI tools are marketed as time-saving devices, reducing the need for human thought and decision-making. This, the author argues, is a form of technological 'rape,' where AI vendors exploit human labor and creativity while denying individuals the freedom to express their unique perspectives. The reference to the Netflix show 'Hacks' and the character of Ava further emphasizes the author's point about the power dynamics between humans and AI.

In a thought-provoking conclusion, the author suggests that the true error in their initial interaction with Copilot was treating it as a sentient being. They argue that AI should be viewed as a tool, not a rival or a replacement for human creativity. The author's final advice to themselves is to stop using AI writing tools like Copilot, advocating for a return to traditional methods of writing and journalism. This conclusion underscores the importance of preserving human agency and creativity in an increasingly AI-driven world.

Copilot: The Good, the Bad, and the Ugly of AI Assistants (2026)
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